Koala Faux Fur Fabrics

He infers that since the technique of spinning fabric on a charkha was known in Persia centuries before, it was brought to India by the Muslims. They can’t have it both ways.There’s no doubt that Jawaharlal Nehru and the other Congress leaders were aware of the fact that the Ashoka wheel that graces the Indian flag was not a Vedic but a Buddhist symbol. In fact it became so common that by the mid-15th century Delhi’s confectioners were already wrapping their sticky halwa in recycled writing paper ”If I remember rightly, William Dalrymple in an essay, which attacked V.. They point to the murder of distinguished historians and the climate of intolerance that sections of the Indian government have encouraged. If the charkha was invented in India by Vedic people, then the Congress Party is proudly sporting a symbol of ancient Indian technology.Razia’s contemporaries and rivals in her court were resentful of the fact that she had seized the throne.

Was Gandhi aware of the Persian or Muslim origin or import to India of the charkha It would be heartening to think that he did know where the charkha came from and foisted the Muslim import on his party as a gesture towards secularism. But maybe not. Keay repeats an observation first made by Irfan Habib who quotes Isami, the 14th century historian, writing about the reign of Razia Sultan. But the revision has to be based on evidence.There can, of course, be no “rewriting” of science. Logical thought and scientific discovery and theory can make progress and any denial of these is just foolishness and superstition.The Hindutva brigade may have a different problem with the assertion of distinguished historian Irfan Habib via the very readable and plausible Keay. More than kurtas and kebabs. They may even welcome Habib’s observation and express some pride in having a Muslim invention as their brand identity. The recent spate of unscientific and nonsensical claims of a similar sort by Hindutva “historians” will cause the world to laugh at rather than with them. Such a “discovery” would deprive the supposed Hindutva brigade of the chance to say that the Congress Party has a Muslim import or invention on its flag.

India must have had ways of spinning cotton before the 14th century, but if Keay is right then the introduction of paper was surely the most important gift of the Muslim conquest and settlement.So also, incidentally, was the paper and the technique of making it, on which Isami wrote his chronicle. These facts, if indeed they are such, ought to put the cat among two opposing flocks of pigeons. She dressed like a man, showed her face in public, rode horses and called herself “Sultan” instead of “Sultana” and some of these Turks thought this was not behaviour becoming a woman.Firstly, the Congress Party which has, presumably through the urgings of Mahatma Gandhi, adopted the spinning wheel as the central symbol on its flag. Keay is quite certain that before the 14th century palm leaves were used as a writing surface. Habib expresses none but notes, however, that this is the first time a charkha is mentioned in Indian history. History is more contentious and yes, just as roads can be renamed, history can be revised. The walls of caves, and pillars and tablets of stone, were certainly used to paint frescoes and to inscribe edicts. The more extreme among them will no doubt turn up with some evidence that the spinning wheel was invented in, say, 2,000 BC in a settlement by the Ganges.

A comedy programme called Goodness Gracious Me on British TV, some years ago, had an Indian character in it who would, in every sketch and circumstance in which he appeared, assert that Indians invented any and every thing.The assertion that paper and the technique for fabricating it came through the Muslim conquests of the 13th or 14th century can be even more contentious. Palm leaves Cloth Parchment Or did they have paper which they brought from China The Hindutva historians should stop wasting their time fiddling with textbooks and claiming that Hindus invented flying saucers and discovered nuclear fission.“The lie of the landWas that it was flatHorizons are circularAnd that’s that!”From The Charms of Chubby Chikna by BachchooI have just been sent a statement or petition signed by 17 of the most renowned scientists of India calling for an immediate end to the violence directed against reason and scientific truth and progress. Its adoption as a symbol was more probably as an icon of the cottage-industrial, ascetic economy and civilisation that he hoped India would become. Not exclusively.President Pranab Mukherjee and the Congress Party, manifestly dedicated to the defence of secularism, are not, I am sure, going to remove the charkha from the Congress flag or the Ashok chakra from the national one. They should rather apply themselves to refuting the claim that paper was not first brought to India through early Muslim conquests. It was a standing joke which stimulated audiences to laugh with the Indians.I’ve just been reading John Keay’s masterful history of India and came across what I thought could be contentious facts. Governance and taxation would be expedited, and literature, scholarship and the graphic arts revolutionised by the availability of a uniform writing material which could be readily filed and bound. Naipaul’s views on the Muslim destruction of the Vijayanagar kingdom, asserted that the Muslim contribution to Indian life and culture included kurtas and kebabs.That 14th century historians were male chauvinist pigs won’t come as a surprise.S. He omitted any mention of spinning wheels and paper. Keay says the introduction of paper was “of incalculable value. Isami says a “woman’s place is at the spinning wheel” — the alpaca faux fur fabric charkha.It makes one wonder on what surface the early chroniclers and travellers such as Huen Tsang recorded their observations of Buddhist and Hindu kingdoms

Shipper Orbital ATK is relying on the United Launch Alliance&Light Pink Wool faux fur fabric Atlas V to haul up the goods. 5 on the all-time spacewalking list. Then flight controllers in Houston moved it to a new and better location Sunday. NASA is hoping to take advantage of an extra seat in the Russian Soyuz spacecraft that's due to launch with two astronauts next month and return in September.

That's amazing," Whitson radioed. The spacewalkers hooked up heater cables to the port Thursday. Altogether, she's spent more than 500 days off the planet, also more than any other woman. A shipment with replacement parts needed for that spacewalk is on hold because of rocket concerns at Cape Canaveral, Florida.As Whitson and Kimbrough installed the three remaining shields, Mission Control quickly came up with a TV MacGyver-like plan for a patch.A Russian holds the top spot: Anatoly Solovyev with 16 spacewalks for a grand total of 82 hours. But the getaway items are usually small, like bolts..The 57-year-old Whitson has been in orbit since November. Frustration was evident in Whitson's voice as she told Mission Control about the mishap. Mission Control monitored the shield as it drifted away and, a couple hours later, determined it posed no risk to the 250-mile-high outpost. It was visible in the distance as a white dot. The first flight could occur as early as next year.

It eventually will re-enter the atmosphere and burn up. The astronauts filled the gap using the cover that they had just removed from the relocated docking port. Williams is one of four NASA astronauts who will make the initial test flights of the SpaceX Crew Dragon and Boeing Starliner capsules.It was not immediately clear how the shield got away, said NASA spokesman Dan Huot.The cover is made of the same material as the shielding, according to Mission Control, and just as capable of protecting against potential strikes by bits of space debris and providing thermal control."You guys came up with a fantastic plan — on short notice.

As the drama unfolded, Peggy Whitson set a record for the most spacewalks by a woman — eight — and the most accumulated time spent spacewalking — just over 53 # hours. The lost fabric shield is relatively large: It weighs 18 pounds and, when unfolded, measures about 5 feet by 2 feet and is about 2 inches thick. She was delighted, though, by how well everything turned out. It was disconnected during a spacewalk last Friday by Kimbrough, the space station's commander and a six-time spacewalker. It's supposed to be tethered to the station or spacewalker at all times. Spacewalkers have lost things before, including an entire tool kit in 2008.

The bundled-up shield somehow came loose as Whitson and Shane Kimbrough worked to install micrometeorite protection over a spot left exposed when a new docking port was relocated. The entire space station is protected, in some fashion, against possible debris strikes.Whitson is now No.She's scheduled to return to Earth in June, but may stick around an extra three months, until September. This is her third space station stint.Cape Canaveral: Spacewalking astronauts carried out an impromptu patch job outside the International Space Station on Thursday, after losing a vital piece of cloth shielding when it floated away.NASA, meanwhile, has indefinitely delayed a spacewalk that had been scheduled for next week.The relocated docking port will serve as one of two parking spots for commercial crew capsules under development by SpaceX and Boeing.Midway through the seven-hour excursion, Whitson surpassed the record for women of 50 hours and 40 minutes of total accumulated spacewalking time, held by former station resident Sunita Williams

He said he&faux fur fabric suppliers39;s also helped companies in Maine, Philadelphia, and San Francisco plan similar events."Rather than trying to pull 30- and 40-somethings in to full operas, "we thought we would offer kind of tastes. Baritone Weston Hurt then enters, singing Figaro's song about his ability to do anything and the incessant demands from his master and everyone in town.She's performing three such pieces Saturday, including one created for Mystique."The first evening took that literally, with a wine tasting: French wines paired with French art songs, with a reception afterward.It brought in "a lot of the husbands" — men who don't go to operas, though their wives are fans, said Hymel, who has sung with opera companies including the New York Metropolitan Opera, the Royal Opera in London, the Deutsche Oper Berlin, the Bayerische Staatsoper, and Teatro Municipale di Salerno.Elizabeth Rose, who owns the Fly Circus Space studio in New Orleans, said that when she got Hymel's email suggesting the collaboration, her response was.

"Yes! It's brilliant! Let's do it immediately!"With Glenna Broderick, her colleague at Fly Circus Space, and colleagues from other cities, there's a wide range of performances, including a tightwire piece, dance trapeze, hand balancing on canes, aerial work on the "corde lisse," or smooth rope, and "a duo adagio piece, like hand-to-hand acrobatics, but slow, sculptural.An internationally acclaimed tenor from New Orleans is pairing circus acrobatics and opera, with a lot of help from his friends. Hymel will sing "Nessun Dorma," which became popular outside opera after Luciano Pavarotti sang it for the 1990 World Cup, then with the Three Tenors."We want it to be fun. You'd recognize "Fiiiiiii-gaaa-ro! Fiiiiii-gaa-ro! Figaro! Figaro!" even if you don't know it as "Largo al Factotum" from The Barber of Seville.That's the opener, introduced by clowns David Chervony and Jean Carlos Claudio of Chicago. That's what we feel opera is," said Bryan Hymel , who has performed with opera companies around the world..Hymel said he and his wife started Opus Opera "as a passion project," since many people their age don't think of opera as "something they should include in their palette.

The evening at New Orleans' Civic Theater is the climax of Opus Opera's first season, which began last fall."The entire Fly Circus Company will join in a spectacle for the final number.The songs are standards - ones people who don't know opera will still recognize from cartoons, movies, TV shows and ads.Inspiration for Saturday's event, titled "Mystique," came from seeing online videos of coloratura soprano Rainelle Krause of Dallas, who enjoys creating what she calls aerial arias — performances in which she sings while hanging from, swinging on, rolling in, dropping along and otherwise playing with two long pieces of hanging fabric called aerial silks. For this one, they've teamed with the owner of Fly # Circus Space, a circus training center , to create vocal and visual duets, trios and larger ensembles, with a different circus performance for each aria sung by Hymel, Kyriakidou and others.The performance Saturday night will be the fourth in the hometown Opus Opera series he and his wife, soprano Irini Kyriakidou, and another couple — soprano Christina Vial and her husband, entrepreneur Patrick Comer — created to show their generation that opera really isn't stuffy

Quashing myths about its sobriety, how does one make a splash in black? We ask experts from the fashion fraternity to comment.”While black has been loved as a standalone hue for the longest, one can never really go wrong with mindful mixing, believes designer Seema Malhotra, who shares, “When you team black with antique gold, you have a star combination before you! It’s lovely to play around with a pop of bright tones, especially for lively events like weddings! Team a well-fitted black blouse with an off-white lehenga or saree laced with a hot pink border! We have been working with a lot of brocade; the banarasi fabric is an instant hit when it comes to picking up a texture for black sarees.

Black as a hue has stood the test of time, and waded through the preening eyes of fashion police, fleeting trends and a panorama of lively shades. A nice chunky necklace, while keeping it low key with the rest of dressing should do the trick.“I would pair a black saree with a neon clutch, and swap those stilettos with a pair of sharp and trusty oxfords or pumps! Do up your hair into a neat bun adorned with fresh floral arrangements, sport those jhumkas, do a smokey eye and nude lips and you are good to go!.Bengaluru-designer Deepika Govind believes one must step up their accessorising game, when sporting an ethnic black ensemble.”Young adults today have a lot of room to experiment with their looks.

So much so, that its presence is now felt even in the ethnic scene, with Indian women making black saree appearances now at weddings, more than ever. While you could settle for larger prints to look more filled out, don’t go for really large prints as a petite frame won’t be able to carry that off.Kajol Devgan It is absolutely important to have one standout accessory to back up your gorgeous black ensemble,” she suggests. Clearly, there are reasons aplenty owing to which black is unanimously loved by women world over. But, one can never do justice to a black saree without the right choice of accessories.

“Black sarees need to have a defining character to it —a nice red border, with due emphasis given to the detailing of the weaves. And variety is the spice of life, sartorially and otherwise. Antique vintage pieces Rabbit fur with white print faux fur fabric are stellar options to consider. Choose a plain saree with a nice border for that elegant yet striking appeal. “Women on the healthier side would look lovely by sporting black sarees with very tiny motifs or light work.

Simple, yet striking. In fact, many details to the weaving is one of the integral bits to jazz up a black saree or rather unveil its stunning potential to the fullest. Armed with the power to exude understated appeal, and the quintessential flaw fixer. Bengaluru blogger Aswathi Balakrishnan opines, it is important to create that effortless dressy vibe when wearing black to events. In keeping with how different body types call for different styling hacks, Bengaluru designer Ravina Belani believes the size of the motifs on one’s saree or ethnic ensemble should be inversely proportional to one’s body type. Women on the leaner side could settle for thicker works or a heavy sequinned zardosi saree or brocade blouses

You have to face trial, if you don't express regret," the bench said.Rahul Gandhi had alleged that the RSS was responsible for the death of Mahatma Gandhi. Peace and harmony should prevail rather than chaos. Judgement is already there.It also said "the purpose of law is not to convert people into litigants.Gandhi's counsel had earlier argued that there are several judgements and evidences that would prove that the brushed rabbit hair Faux Fur Fabrics defamation case filed against him was frivolous.

"Senior advocate Harin Raval, appearing for Rahul, said whatever was said in the speech was on the basis of government records and on the basis of decision of Punjab and Haryana High Court and he was not referring to RSS directly.According to reports, the Congress vice-president had also turned down the Supreme Court's offer to express regret for his comment holding the RSS responsible for Mahatma Gandhi's assassination and get the defamation case filed against him buried. Over the years, attempts have been made to enter into the lives of historically eminent personalities to give a new dimension. Gandhi had earlier urged the apex court to reject the defamation case filed against him by the RSS in March. The bench after perusing the judgement of Punjab and Haryana High Court, said it only says that Nathuram Godse was an RSS worker and added that Godse killed Gandhi and RSS killed Gandhi are two different things.The apex court had earlier in April adjourned the plea till second week of May."The bench questioned the speech made by Rahul and wondered "why he made a speech quoting wrong historical fact".

Justice Misra said that "history is the greatest enemy of privacy. Purpose of law is that people obey law.The apex court had on July 9 heard the plea of Gandhi seeking a stay on the Bombay High Court order, refusing to quash the defamation case against him over his remark on the Rashtriya Swayamsevak Sangh (RSS)."

What we have to see is the petitioner's allegations come under Section 499 (defamation) of IPC or not."You have gone a way ahead and you can't make collective denunciation," it said. New Delhi: The Supreme Court on Tuesday observed that Rahul Gandhi, who blamed RSS for assassination of Mahatma Gandhi, should not have resorted to "collective denunciation" of an organisation and will have to face trial in the defamation case against him if he does not express regret."While quoting the recent order in a petition filed by DMDK leader and actor A Vijayakanth challenging the cases lodged against him and others in which the apex court has issued notice to Tamil Nadu Chief Minister Jayalalithaa, the bench said criticism of government is one thing and criticism of historical figure is another thing.Earlier, Gandhi had accused the Bharatiya Janata Party (BJP) and the RSS of trying to create disruption in plural but harmonious social fabric in Assam. You can't make collective denunciation," a bench comprising Justices Dipak Misra and RF Nariman said.The bench said that "freedom is not crippled or curbed. What is curbed is freedom of speech.The apex court said that they have applied their mind and Rahul Gandhi will have to face the trial in the case."We have held it may be historically correct but the fact or the statement has to meet the test of public good. What the writers, politicians, critics or antagonists say, you must have great magnitude to swallow.(This story originally appeared on Deccan Chronicle)

This changed only after the Industrial Revolution in England. Large sections of the weaver community belong to the minorities, and other socially and economically marginalised sections of society. Ibn Batuta, the 14th century traveller, noted that among the presents sent by Delhi’s Sultan Muhammad bin Tughlaq to the Yuan emperor in China were 100 pieces each of five varieties of cloth, each category named differently.33 lakh are in rural areas.Handloom is not merely an economic activity. It’s an intrinsically embedded imagery of the freedom struggle with Mahatma Gandhi. Khadi remains one of the most potent symbols of Pink embossed rabbit hair faux fur fabric India’s independence from “political slavery, economic bondage and cultural stagnation”.

At one stroke, a millennia-old tradition was reversed. Super-fine cotton fabric called muslin, known in ancient Rome as ventus textilis (the woven wind), was a highly-coveted item. By a rough estimate, 61 per cent of weavers work independently, 34 per cent work under master weavers, and only five per cent work through cooperatives and clusters.31 lakh weavers in India, out of which 77 per cent are women.. Khadi symbolised India’s pride, entrepreneurship, a move towards self-sufficiency, and a spirit of resistance to the mighty colonial power. From being the world’s largest textile exporter, India began to import British textiles. During the freedom movement, Mahatma Gandhi began the practice of spinning and weaving homegrown textiles — khadi. However, in the past one year, the double jolt of demonetisation and a hastily-implemented and complicated Goods and Services Tax that did not give a tax exemption to handloom, at least in the first round, has dealt a severe blow to the handloom industry.31 lakhs, as many as 36.The handloom textile industry operates within a framework of cash and credit flow. With demonetisation, the cash disappeared and credit stopped.When the East India Company ventured into India, one of its main items of export was Indian textiles.According to the data from the ministry of textiles, there are 43. Many of them live below the poverty line. It’s an art that its practitioners dedicate their lives to learn. Though the khadi yarn, Gandhi cap and the national flag remain exempt, other items made of khadi, including apparels, are being taxed. According to a media report, in Varanasi, the Prime Minister’s constituency, which is one of the earliest textile centres in India, traditional weavers have been rendered jobless and are being forced to look for other jobs.

The master weavers produce masterpieces that not only exemplify an individual’s superb skills but contain centuries-old traditions in a single piece of cloth. Thanks to the lack of technical knowhow and the absence of an efficient machinery to help implement GST, the utter confusion in the informal sector, including the handloom sector, continues. Each state of India has its own hand-woven, hand-embroidered, traditional handloom textiles and sarees that have won the admiration of millions across the globe. The weavers are given credit by middlemen and/or traders for the purchase of raw materials like yarn, threads or zari.

It’s the State’s responsibility to create a conducive environment for such craft to survive and thrive. It already had to compete with large-scale mass production of textiles.The government’s refusal to grant a tax exemption to handlooms while introducing GST has led to even more miseries for weavers. Over 70 weavers are said to have committed suicide in Varanasi due to the vicious cycle of debt and poverty. For the first time in Independent India, khadi has been taxed under GST. The handloom industry is totally decentralised, and is spread across India. Demonetisation hit all small and medium-scale industries in the informal sector, but the handloom sector suffered an even bigger blow. Mr Modi’s government talks about skilling India, but seems to be doing its best to destroy one of the most ancient and precious talent-pool of skills the country has. In many weaving communities, skills are imparted by home training and continue through generations. It’s said that it was so fine that Roman emperor Augustus banned its use as a dress material by the women of his court through an imperial decree stating it’s bad for the morals of his people.India is a land of rich textiles. Indian cotton and silk were prized items for export in ancient India to other ancient civilisations.

Along with new technologies, England adopted a protectionist policy towards its own nascent textile industry by banning the import and sale of finished pure cotton products from India. The symbolism of khadi in India’s Independence movement is immense. In post-Independent India, successive governments have taken special measures to protect and promote India’s rich handloom textile industry through legislative and institutional mechanisms, tax incentives and other financial measures; by setting up cooperatives and linkages for marketing the products, by reserving products within handloom categories to eliminate competition with mass-produced textiles and through various other methods. Out of these 43. In India, the colonial administration not only discouraged the indigenous textile industry, but flooded the Indian market with cheap mill-produced Lancashire textiles. With the withdrawal of cash from the market, not just production suffered due to lack of availability of credit and cash in hand to purchase raw materials, but also demand dipped due to the reduced purchasing power, leading to a vicious circle of low-demand, low-production and stagnation in the market. There is evidence of cotton production in the Indus Valley Civilisation. The weavers are not given credit as they can’t raise invoices due to the lack of digital as well as financial literacy. The tax on sarees and apparels above Rs 1,000 has made competition far tougher for the handloom sector. It operates within the informal sector, and creates around 14 per cent of total textile production in India. It’s shameful to see the Mahatma’s image replaced by the current Prime Minister’s photograph in khadi calendars, with a minister of the ruling party from a state saying that Mr Modi is a bigger brand than Mahatma Gandhi.The Indian textile industry is one of the world’s oldest